VISITORS TO Dataland, a new museum for AI arts in Los Angeles, step onto an escalator and descend into a tempest. Rain blows sideways across mirrored walls. Next psychedelic pink amoebas and green squiggly lines gyrate across the walls and floor. It is hard to walk straight. Is this what it is like to be trapped inside a lava lamp? Soon guests are enveloped in the sounds of the rainforest, and fireflies flit across the screens. “It’s a living sculpture,” says Refik Anadol, a digital artist and the museum’s co-creator. He points to lines emanating from people’s feet. “That’s your data.”
Dataland is the creation of Mr Anadol and his wife, Efsun Erkilic, two Turkish artists. (AFP)
Dataland is the creation of Mr Anadol and his wife, Efsun Erkilic, two Turkish artists. Mr Anadol is probably the most prominent and polarising AI artist working today—regarded by some as avant-garde and by others as spectacle-heavy and too commercial. (His works have appeared in the Museum of Modern Art in New York and the Sphere, a concert venue in Las Vegas.)
Dataland opened in a downtown development that Frank Gehry, its architect, always hoped would become part of an arts district. Mr Anadol’s ambition is for the new museum to convince visitors that there is more to AI art than hype. He starts with the premise that there is ethical and unethical data. The former is about “asking permission” and “getting licences” for art works’ data inputs, not training models on data irrespective of consent. “If a human and machine collaborate, it’s a new form of art,” says Mr Anadol.
Dataland’s more radical premise is the idea that its AI creations might help visitors get in touch with their humanity. This is done, in large part, by assaulting the senses. When guests arrive, they are given medical-grade devices—a watch and a heavy collar—that record heart rate, body temperature and emotional responses. As visitors move around, their measurements and location are fed into a system that changes the art to react to each person. Your correspondent’s collar occasionally emits a fresh scent evoking summer rain and laundry detergent.
The question of how to use tech to enhance visitors’ experiences is one with which every museum is grappling. Many are opting for interactive experiences in the virtual-reality vein. Some are designing whole exhibitions around screens, which can leave you feeling both overly stimulated and isolated. Are the days of asking the person next to you what they think of a painting over? What about being sure that you are seeing the same thing?
At Dataland, the experience is transfixing and overwhelming. It fails in its more grandiose ambitions—though it does inadvertently make you appreciate nature. By the end of the visit many guests will find themselves desperate for sunshine. After being immersed in a kaleidoscopic digital forest, they will crave the silence and stillness of a real one.
सिद्धभूमि के लेखक एक प्रमुख समाचार लेखक हैं, जिन्होंने समाज और राजनीति के महत्वपूर्ण मुद्दों पर गहरी जानकारी और विश्लेषण प्रदान किया है। उनकी लेखनी न केवल तथ्यात्मक होती है, बल्कि समाज की जटिलताओं को समझने और उजागर करने की क्षमता रखती है। उनके लेखों में तात्कालिक घटनाओं के विस्तृत विश्लेषण और विचारशील दृष्टिकोण की झलक मिलती है, जो पाठकों को समाज के विभिन्न पहलुओं पर सोचने के लिए प्रेरित करते हैं।
एक ऐसे समय में जब प्रिंट एवं मुद्रण अपनी प्रारंभिक अवस्था में था ,समाचार पत्र अपने संसाधनो के बूते निकाल पाना बेहद दुष्कर कार्य था ,लेकिन इसे चुनौती के रूप में स्वीकार करते हुए स्वर्गीय श्री शयाम सुन्दर मिश्र “प्रान ” ने 12 मार्च 1978 को पडरौना (कुशीनगर ) उत्तर प्रदेश से सिद्ध भूमि हिंदी साप्ताहिक का प्रकाशन आरम्भ किया | स्वर्गीय श्री शयाम सुन्दर मिश्र “प्रान ” सीमित साधनों व अभावों के बीच पत्रकारिता को मिशन के रूप में लेकर चलने वाले पत्रकार थे । उनका मानना था कि पत्रकारिता राष्ट्रीय लोक चेतना को उद्वीप्त करने का सबसे सशक्त माध्यम है । इसके द्वारा ही जनपक्षीय सरोकारो को जिन्दा रखा जा सकता है । किसी भी संस्था के लिए चार दशक से अधिक का सफ़र कम नही है ,सिद्ध भूमि ने इस लम्बी यात्रा में जनपक्षीय सरोकारो को जिन्दा रखते हुए कर्मपथ पर अपने कदम बढ़ाएं हैं और भविष्य के लिए भी नयी आशाएं और उम्मीदें जगाई हैं । ऑनलाइन माध्यम की उपयोगिता को समझते हुए सिद्ध भूमि न्यूज़ पोर्टल की शुरुवात जुलाई 2013 में किया गया |
हमसे संपर्क करने और जुड़ने के लिए मेल करें - siddhbhoomi@gmail.com
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